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Entertainment saw the highest overseas numbers in the UK with just $2,220,079. Metropolitan saw Domino flop in France with only $1,127,327. New Line would see returned about $5.6 million after theaters take their percentage of the gross, which would barely put a dent in their P&A costs and cover none of their acquisition expense. It sank 51.3% in its second frame to $2,275,531 and promptly lost most of its theater count and was pulled from release after only four weeks with a total of $10,169,202. Audiences did not like the pic any more than critics and gave Domino a poor C+ cinemascore. It placed #7 over the slow weekend, led by The Fog. And this narrative was almost entirely fabricated and was savaged by critics.ĭomino was booked in 2,223 theaters against The Fog remake and Elizabethtown and was dead on arrival with $4,670,120. The story of spoiled Hollywood royalty who self destructed from drugs and had spent time as a bounty hunter mostly going after low level drug addicts - was a movie that had no marketable audience. The death of Domino Harvey was barely media fodder for a few days and basically forgotten. Focus then dated the Keira Knightley starrer Pride and Prejudice for November 11 and Domino was moved forward to October 14.ĭomino was tracking soft and was not expected to reach low teen numbers opening weekend. One day later New Line moved it back to November 23. New Line originally scheduled the movie for an Augrelease, but pushed it back to November 4 and then Domino Harvey overdosed and died on June 27. Keira Knightley landed a $2M payday for Domino. Summit Entertainment and Davis Films sold the film to overseas distributors, except for in France, where Metropolitan would distribute. The budget for Domino was $50 million and New Line acquired US rights for $15 million. Scott had a first look arrangement at FOX, but the studio declined to be involved with the movie and the project was put aside while he helmed Enemy of the State (1998), Spy Game (2001) and Man On Fire (2004).Įventually Scott found financing from France based Metropolitan Filmexport.
Elisabeth Shue was first announced as the lead.
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